A Trackless Path: Dzogchen in plain English

A Trackless Path by Ken McLeod

Ken McLeod has an exceptional ability to explain Vajrayana Buddhism in plain English. Dzogchen, a branch of Vajrayana, is the most difficult part of Buddhism to understand. It is also, in my opinion, the most important.

It is fortunate, then, that McLeod has just published A Trackless Path, his first book on the topic.

Dzogchen—the thing itself—is simply wakeful awareness. The body of teaching called “Dzogchen” consists of evocations of that awareness. Dzogchen is not a conceptual framework, and not a practice system (although both are available as supplements).

Dzogchen is difficult because it is “too close, too accessible, too present, and too simple.” Wakeful awareness is not some special sort of awareness available only to extremely holy people. Dzogchen is not an altered state of consciousness. It’s the natural state of mind, which in some sense we all experience all the time. However, one may find the question “what is it like to be aware?” difficult to answer. We don’t know, because the natural state is usually obscured by motivated confusions. Most of the time, we are in an altered state—the one called “samsara.” Dzogchen means returning to an unaltered state. You can do that by leaving your mind alone.

The whole of Dzogchen teaching amounts to no more than three or four sentences. They answer the question “what is it like to be aware?”. These are called “pointing-out instructions” or “direct introduction to the mind itself.” If you read those, you probably won’t understand them, because they are too obvious. Ideally, they are only given orally, one-to-one, at an informal moment: when the Dzogchen teacher sees that the student has left their mind accidentally unguarded, so something surprising can be slipped in.

Even then, the meaning is often missed. Then the student wants more explanation; but about Dzogchen itself, there is nothing more to say. So teacher sighs deeply, and starts to explain how Dzogchen relates to this and that. But since Dzogchen is so basic, it affects everything. The teaching becomes complex and subtle, because the world is complex and subtle.

To write more about Dzogchen than a paragraph, but less than an encyclopedia, is a major achievement—which Ken McLeod has accomplished. His book is, however, difficult to review. Like Dzogchen itself, it is “too close, too accessible, too present, and too simple”!

My “direct introduction” to A Trackless Path is just this: if you care about Dzogchen, it’s well worth reading.

If you want to know more—such as whynow I will something say. However, you should not take anything in this review seriously, as I am extravagantly unqualified to speak of Dzogchen.

In plain English

Accurate, accessible accounts of Dzogchen are rare, which makes A Trackless Path significant. The traditional texts are mainly either impenetrably academic or poetically vague. Tibetans are mostly unwilling or unable to teach Dzogchen. Because Westerners think they want it, lamas and publishers often engage in bait-and-switch tactics. The few lamas who do teach it are mainly surrounded by high social and cultural barriers. As I’ll explain later, the gap has been partially filled by Westerners who misunderstand and misrepresent Dzogchen.

A Trackless Path is accurate, and clear and simple, but it is not “Dzogchen for Dummies.” Probably no such book can exist. A Trackless Path is not for Buddhist beginners, and might even not be the first Dzogchen book to read. Other plausible starting points are Dzogchen: The Self-Perfected State as a conceptual overview, and Roaring Silence: Discovering the Mind of Dzogchen as a practice-related introduction.

McLeod writes “if you are reading this book, you probably have a good bit of practice experience already.” The language is straightforward; but his insights may not resonate unless you have done hundreds, maybe thousands, of hours of meditation. The book also contains little “information.”

However, as McLeod says, if you just read it and pay attention to your experience while reading, it’s possible you will have a profound direct insight even without much background. This truly can happen when you encounter a text beyond your level of comprehension, if you are lucky.

Otherwise, what you may gain are inspiration and curiosity. Not intellectual curiosity about “this is an interesting system, I want to understand it”—that probably won’t go anywhere. Unlike other Buddhisms, Dzogchen isn’t a system of doctrine or practice. Instead, you may gain experiential curiosity, as in “I wonder what that’s really like—is this actually a thing? Is it possible?” And perhaps even confidence. Not intellectual confidence, that “this system makes sense, so it seems to be true” but “yes, this seems to illuminate my experience—it talks about something real and important, so I want to go further into it.”

All awareness is non-conceptual. Concepts arise within awareness, but are not awareness itself. The Dzogchen preliminary practices are about experientially separating awareness (“mind itself,” sems nyid) from its contents (mental activity, sems).

Poetry is the traditional solution to the problem of describing non-conceptual awareness. This may or may not work for you. Sometimes a line of Dzogchen poetry resonates with your experience in the moment, and an opening occurs. I often find it irritatingly vague and hyperbolic. McLeod too:

The descriptions of sublime results in the sutras and tantras are beautiful and magnificent poetry, but I find it difficult to relate to them in my own experience, even when I regard them as metaphor.

I do appreciate poetry, but as an engineer, I also appreciate plain-spokenness. A Trackless Path is remarkably plain-spoken. Like me, the author has a degree in mathematics. That might have something to do with my appreciation for his approach.

Dzogchen is not monist eternalism

Because Dzogchen is hard to understand, it is easy to mistake it for other things that sound vaguely similar. In Tibet, Dzogchen was always controversial, because of its resemblance to—among other things—Zen, Advaita Vedanta, Bön, Kashmiri Shaivism, Zhentong, and Cittamatra. (These were all considered absolutely not OK by Tibetan theocrats.)

Dzogchen is now commonly mistaken for monist eternalism in the West. Monism is the idea that “All Is One,” so your True Self is actually the entire universe, and is also God. Eternalism holds that there is some Cosmic Principle that gives meaning to everything. Monist eternalism, unlike Dzogchen, is easy to understand; and it is emotionally attractive because it promises immortality and omnipotence (if you just Realize your True Self).

Monist eternalism is now the main non-Christian religion in the West, in the guise of the New Age, “spiritual but not religious,” Integral™ Bafflegab™, and Neo-Advaita. All of these trace to Perennialism, the Western claim that monist eternalism is the mystical essence of all religions. This is a highly aggressive strategy, which tries to colonize and dominate all other religions. “You are doing Christianity/Buddhism/Yazidism wrong,” Perennialism says. “The real meaning of your religion is the same as ours—that you need to discover your Oneness with the Ultimate.” This is stupid, harmful, bigoted, and insulting.

To be fair, it is easy to mistake Dzogchen for monist eternalism, if you just read a little of it. (Especially if you are motivated to misunderstand it because, as a Perennialist, you are looking for evidence that it’s really monist eternalism!) Monists frequently use the word “nonduality,” by which they mean “monism”—the denial of distinctions. Dzogchen frequently uses the term gnyis med, literally “not two,” but typically translated “nonduality.” That does not to refer to monism, however. “Inseparability” would usually be a better translation.

Whenever someone talks about “nonduality,” it is good to ask: which two things are you saying are not dual? And, if they aren’t dual, what is their relationship? Monists probably won’t like this question, because they don’t like distinctions. (That’s the whole point of monism!) The only honest answer they can give is that everything is not dual with everything else, and that “not dual” means “the same.” However, this is obviously false—Messiaen’s Turangalîla Symphony is not the same as the Greenland ice cap. So usually monists would rather remain vague. In Buddhism, by contrast, various specific pairs are said to be gnyis med, in specific ways. So Buddhism takes more work to understand—and not everyone wants to bother.

It is also easy to mistake Dzogchen for eternalism. Its scriptures are written in the voice of a deity, the embodiment of awareness, who is King of the Universe. They assert that Divine Awareness “creates everything,” and they go on and on about how miraculous and perfect he is. This is, however, all explicitly metaphorical.

There are frequent, unambiguous statements in both the scriptures and authoritative commentaries that Dzogchen is not monist and not eternalist. They explain why monism and eternalism are both wrong, and how Dzogchen is different. (These explanations are the inspiration for my book Meaningness.)

In the West, there there is much more demand for Dzogchen—”the highest teaching of Tibetan Buddhism”—than Tibetans will supply. That demand is increasingly met by Westerners who advertise “Dzogchen,” but actually teach monist eternalism, with a layering of Dzogchen terms. Their training and understanding is based more in Neo-Advaita, a contemporary monist eternalist movement, than in Buddhism.

Unfortunately, this has made Dzogchen even more inaccessible than it already was. If you go looking for Dzogchen, you are likely to find disguised Neo-Advaita instead.

Much of A Trackless Path is about what Dzogchen isn’t, and how not to do it. Although it never uses the word “eternalism,” I take it as explaining how that is wrong and why Dzogchen is not eternalistic. Eternalism, McLeod points out, arises as a defense against uncertainty, applying an illusion of understanding. His advice is to open to uncertainty while paying attention to how it makes you feel, at the concrete level of bodily sensations. And, to let go of the beliefs (including, especially, Buddhist beliefs) that undergird the illusion of understanding.

Dzgochen texts often speak of a space free from concepts or thoughts. Again, this is easy to confuse with other, dissimilar systems that say superficially similar-sounding things. Practices from such systems are now sometimes taught as “Dzogchen,” although they aim at quite different results using quite different methods:

Different practice traditions take different approaches to the arising of thoughts. Most esoteric traditions agree that thoughts themselves are not the enemy. On the other hand, when we are thinking, awareness is dulled and confused. Some traditions encourage the development of a dispassionate observer, but that simply replaces one problem with another. The direct awareness traditions of Tibet teach the possibility of an awareness that is not an observer, an awareness in which thoughts, feelings and sensations form and dissolve like mist or like clouds in the sky.

This level of attention is not the same as the experience of the watcher in which we observe the coming and going of thoughts. In the experience to which “mind itself” refers, we are the space and we are the thoughts.

“No concept” and “no thought” are a concept and a thought. They can be highly misleading, if you assume you understand what they mean and imply.

Achieving a no-thought state is a non-goal of Dzogchen. It is the first of four steps of Dzogchen preliminary practice.

The contents: text and commentary

I’m terrible at writing book reviews. Actually… it’s worse than that. I deliberately abuse the form as an excuse to go off on wild fantasies and discursions.

In this one, so far, I’ve managed to get away with saying nothing about what A Trackless Path is about!

The book consists mainly of a translation of a poetic text, The Revelations of Ever-present Good, plus McLeod’s commentary on it. The poem was written by Jigme Lingpa (1729–1798), perhaps the most influential Dzogchen teacher of the past five hundred years. It is divided into three sections of roughly equal length, and the commentary follows the same organization.

The first section compares Dzogchen with other approaches: secular materialism, non-Buddhist religious eternalism, and the eight Sutric and Tantric Buddhist yanas. It explains how each sets up “reference points”—ultimate principles that supposedly explain and motivate everything—so they are eternalistic. Dzogchen has no reference point, so it avoids the errors and harms of eternalism.

This doesn’t mean you shouldn’t practice the lower yanas, or even that it is possible to skip them. You can’t start with Dzogchen, because it has an “uncommon base.” To practice it, you need the recognition of non-conceptual awareness. Mostly you can only get that through practicing some other system (or a Dzogchen ngöndrö). Even once you start practicing Dzogchen, for most people it is helpful to continue practicing other yanas too.

The second section of The Revelations of Ever-present Good is a poetic description of wakeful awareness—the actual point of Dzogchen. This is more-or-less “pointing-out instructions” plus a highly condensed synopsis of their implications. Without both extensive practice experience and conceptual knowledge of Dzogchen theory, it is easy to misinterpret this as generic content-free spiritual hype and woo. McLeod’s commentary is a helpful down-to-earth guide here.

The third section points out various subtle misconceptions of Buddhism (including Dzogchen), and misapplications of its practice, and how to correct them. Generally, it is directed against the dogmatic, theocratic version of Tibetan Buddhism that has dominated for the past several hundred years.

What it is like

Much of McLeod’s commentary is about what it is like to be a serious long-term practitioner. Not about the cosmic insights and ineffable bliss, but about the ups and downs, the grit required to make progress, and the gradual accumulation of experience and confidence that makes practice increasingly accurate.

The challenges I faced over the years forced me to examine again and again what was I doing and why. Those re-examinations ruthlessly stripped away the ornate prose, the rich poetry, and the glowing accounts that abound in traditional texts.

He compares the path of life-long practice with the discipline of artists:

When a musician learns to play an instrument or even a piece of music, he or she begins a journey. No one knows or can know where that journey will lead. Maybe a teacher or a respected friend or colleague suggested that particular piece. Maybe the musician heard someone else play it and it moved something inside. What is important here is that he or she feels a call and is called to respond.

Like spiritual practice, art often involves long periods of rigorous, even harsh training (as in ballet), a kind of asceticism that is often similar to renunciation, a relationship with a teacher that may be hard to understand from a conventional perspective and a call to an ideal that is difficult, if not impossible, to put into words.

Giving up hope for magical salvation is indispensable:

In traditional Buddhism, [the supposed result] is presented as the end of suffering, nirvana, enlightenment, freedom, awakening or any number of other promises. For me, those words now ring hollow. I think I believed them at one point, but I am not sure.

Giving up hope leads to Buddhist practice is that is tough, skeptical, and realistic; yet confident, reverent, and inspired.

When we read poems such as Jigmé Lingpa’s, possibilities open — possibilities we may never have thought of or possibilities we may have sensed but did not know how to pursue. Practice is about exploring those possibilities and we do so because they are or become intensely meaningful to us.

Whether one attempts to describe this awareness as an awakening or as a deep peace, it opens up a profound freedom.

The essence of Dzogchen is wonderment. A Trackless Path is a call to that wonder.

Author: David Chapman

Author of the book Meaningness and several Buddhist sites.

23 thoughts on “A Trackless Path: Dzogchen in plain English”

  1. I was reading McLeod’s Wake Up to Your Life last night. Although interesting, I was somewhat put off by the second person narrative of much of it. It seemed, in the style of much Buddhist writing, to purposefully obscure what the basis of the book was. His own experience? Stuff his teacher told him? Unclear, and it is just the kind of obfuscation that teachers seem to like to use to appropriate authority for themselves while carefully avoiding making any overt claims – something I have come to find more and more odious over the years.

    Does he say anything about who he learned Dzogchen from? I would not be surprised if Kalu Rinpoche taught it despite his Kagyu affiliation, but I have not heard of him giving Dzogchen teachings before.

  2. I haven’t read Wake Up. Second-person does sound off-putting. The language in this book is normal and talks about his personal evolution quite a lot. He seems to have “grown up” somewhat since writing that.

    I imagine that, like most people, he learned from many teachers. However, this book was prompted particularly by teachings from Kilung Rinpoche. (I had not heard of him before.) From the intro:

    At the end of the retreat, Kilung Rinpoche showed me a short text by the 18th century Tibetan mystic Jigmé Lingpa. The way he unwrapped the text and gave it to me told me more than words ever could that this text was dear to his heart. He said that he would be grateful if I could translate it into English. The text was a poem about the practice of dzogchen and effectively summarized all that we had studied during the retreat. It was a bit difficult to understand in places, due largely to Jigmé Lingpa’s style of writing, but with Gerardo Abboud’s help, I translated it and presented the translation to him. A few years later, I taught the text at a retreat in New Mexico. Now, encouraged by the response to my recent book Reflections on Silver River, I have retranslated that poem and written this commentary.

  3. Hah! Buddhism never runs short of products to market to the hungry, does it? Either it’s a nirvana that’s absurdly remote and difficult to attain or else it’s one that’s “too close, too accessible, too present, and too simple.” Zen specialises in this kind of ‘selling water by the river’ too. You already have it… but you just don’t realise it! It’s simple natural awareness… but not quite as we know it! Hmm.

  4. ” “You are doing Christianity/Buddhism/Yazidism wrong,” Perennialism says. “The real meaning of your religion is the same as ours—that you need to discover your Oneness with the Ultimate.” This is stupid, harmful, bigoted, and insulting.”

    As an assertion, it may be. Thing is, as a practice, it only leads to ecstatic states does it not ? And they’re not stupid or harmful. What’s wrong with pointing people in the direction of supreme pleasure and rapture ? And it tends to break attachments to religious forms – on a suck it and see kind of basis. I don’t see the harm, what’s the harm? Are people walking round traumatised because someone said there may be common experiences in all religions ? I suppose the nearest you get to that is the sometimes violent reaction to mystic heretics, and burning someone at the stake for claiming to know the godhead is hardly the act of an victim.
    What do you mean it’s harmful ?

  5. Keep on going everybody, this is a very interesting conversation. When Socrates went around asking people why they thought to be wise and got all their different answers according to their professions, he concluded, he could not just know wisdom and ‘i know, that i know nothing.’ He could have know this before asking everybody, but he was not aware he could not know, until he experienced it. Also he managed to withdraw from the ego, that was speaking in everybody’s answers. dzogchen is buddist, because its not just non self but also non ego. very easy. let yourself go and rest in open awareness. Sokrates rested in the awareness of these answers and maybe in any thought that would come and go until he experienced blank. Dzogchen means great completion or perfection. …

  6. Thanks for your illuminating description of Dzogchen. I’ve been put off by the way it’s been presented to me, because it always seemed like monist eternalism with a Tibetan flavor. Now I know why! Your description here makes me curious to learn more about actual Dzogchen practice.

    And as always, I am delighted by the way you deflate monist-perennialist pretensions.

  7. First, let me say thanks for the intro to this book. I’ve only read the poem so far but it really speaks to me.

    It also seems to point out a personal dilemma. I love meditative practice and riding the hum and buzz of the nervous system (how I like referring to that base aware state) but I don’t feel particularly Buddhist, or any denomination really. There’s a core element of Buddhism that’s about human nature which captivates me, but there’s also lots of accidental complexity by way of social dressing. Maybe it’s the mathish engineer in me, but I want to understand things via first principles and religious connotations of belief & belonging seems to get in the way. Of course, I could just let it go and enjoy that humming buzz but that somehow feels disingenuous.

    I’ll be writing more on all this as I finish McLeod’s commentary (+ relevance to chronic illness)

    Thanks again!

  8. Glad you like it so far!

    Many people nowadays share your feelings about religions and isms generally. The secular mindfulness movement is one manifestation of that.

    As I’ve written elsewhere, I’d like to see a resurgence of secular Vajrayana. Ken McLeod’s approach is maybe not explicitly that, but perhaps heading in that direction.

  9. Perhaps one could look at Dzogchen as the stand alone practice that it is – Rushan, Trekchod, Thogal – without the Vajrayana “beard” – that was forced on the Nyingmas by the New Translation Schools? If you compare the modern Western teachers of Dzogchen – James Low, Keith Dowman, John Reynolds, Surya Das, Ken McLeod (covered in the podcasts of his advanced retreats available on his website), this “Dzogchen without Vajrayana” is a common theme – a theme they learned from their native Tibetan teachers – like Nyoshul Khenpo, N. Norbu, and Tulku Urgyen.

    Tulku Urgyen shares:
    “Some Buddhist teachers may say about me, “How can he possibly try to immediately point out mind essence without having made his students go through the ngöndro of purifying obscurations and gathering the accumulations.” Some may raise this objection, but, with all due respect, I feel that it is not incorrect to do that. Why? Because we are now in the Dark Age and there is the prediction that, “At the end of the Dark Age, the teachings of Secret Mantra will blaze forth like wildfire.” Secret Mantra here refers to Mahamudra and Dzogchen.”

  10. Hi Doug,

    You raise several important and interesting issues, which would take many paragraphs to begin to address properly. Unfortunately I have time for only a brief and incomplete response now!

    “Vajrayana” is often (but not always) used to mean “Tantra and Dzogchen considered together.” I think you are using it to refer to Tantra only, which has precedent but seems not to be the typical current usage.

    Whether “Dzogchen without Tantra” is meaningful, possible, or a good idea is a complicated matter—depending on exactly what “without” means!

    It is importantly true that Dzogchen is a distinct yana, with different principles and functions from Tantra. It is also true that in recent centuries Tibetans have tended to blur the distinctions between them, for primarily political and economic reasons, which I believe has been harmful. It is important to understand how they are different. It is also true that in principle it is possible to practice Dzogchen without having ever practiced Tantra. It can be approached through its own distinctive ngondro, and in principle some highly exceptional people may be able to enter into it directly.

    However, throughout the tradition, going back as far as we have any records of Dzogchen, it has been considered a good idea for Dzogchenpas to practice Tantra as well. I believe this is still true.

    I think it would be good to ask why someone would want to practice Dzogchen without Tantra. I think the reasons for wanting to avoid Tantra are probably bad ones in most cases. I think that the emotional reasons for avoiding Tantra typically lead to inaccurate, incomplete, and in the end unsuccessful practice of Dzogchen. (This is just my own opinion, based on limited anecdotal and personal evidence.)

    I think that some (not all) of the Western teachers of Dzogchen you mention have fallen into this error. Some mis-present Dzogchen as a monist system, akin to Neo-Advaita (which some of them have also practiced extensively). This is a dire distortion.

  11. Hi, since I found your website I studied it intensely. You guys hence will be reading my name more often around here. There’s a reason me starting commenting here. James Low was mentioning A Trackless Path and its lecture leaves me intensely impressed.

    The Article says Much of A Trackless Path is about what Dzogchen isn’t, and how not to do it. – I don’t know which passages you have in mind but this is not how I read it. In fact I have the feeling that if you say later on “Much of McLeod’s commentary is about what it is like to be a serious practitioner” you confirm yourself that the text is quite something about how to do it, right?

    I believe that poetry and plain-spokenness to not contradict. As an dzogchen-addicted engineer you may admit that words themselves are just upaya -an instrument that helps getting you somewhere. The choice and order of words may help one more than another to whom that wouldn’t make sense at all. Language is cultural yet individual. However, being so thankful for McLeod’s efforts to find words that help me to approach this topic, I hardly can imagine the path he had taken to make sense out of the Tibetan original text. I (talking just of myself) would harldy get anywhere with the uninterpreted translation only.
    Your notion on poetry amused me a little bit. I read Chögyam Trungpa’s poem First Thought earlier this year – dadaistic and yet grasping truth in its very twisted way of being. Somehow dzogchen and poetry seem to be intertwined. -as your notion of jazz in your Dzogchen Ethics Article.

    You mention the experience of meaning beyond words. This is when the reader’s capability for subtle understanding kicks in (or doesn’t). I guess that there’s the connection to Tantra if it doesn’t touch you, memorization and repetition of the text may help Massage the Dharma In as James Low puts it. So talking of Tantra I also have a comment on David’s latest post: Dzogchen goes without taking refuge to one master is I am not mistaken. Tantric practices in dzogchen circles are providing refuge just for the time of the gathering. These two issues aren’t black and white. maybe Dzogchen reinterprets already some parts of Tantra (reducing strictness, participation requirements, interpretation of refuge as mentioned, tsog with alcohol etc.).

    David writes: “I’m terrible at writing book reviews. Actually… it’s worse than that. I deliberately abuse the form as an excuse to go off on wild fantasies and discursions.” Admittedly I thought so as-well whilst reading. Maybe it would have helped making a separate article out of the “Dzogchen is not monist eternalism” (what by the way included a bit too many unknown terms for me, yet missing what the point of the differentiation could have been).

    @David (Dec. 3, 2015): if you already got it, stop reading, stop posting comments, stop surfing the internet for non-sense. Other than that I wonder why you have this opinion whilst just creating another conceptual dualism.

    @DougRichards ” “At the end of the Dark Age, the teachings of Secret Mantra will blaze forth like wildfire.” Secret Mantra here refers to Mahamudra and Dzogchen.” Funny, as the teachers’ focus may reshift to make it a self-fulfilling prophecy. Or the readiness of Masters to publicise their secret texts as a referral they may be authourized due to this prophecy. One way or another, I fully appreciate the accessibility.

    Just my two cents.

  12. I appreciate your grappling with the “tricky fox” of these poetics, you are from a highly cultivated STEM background, and I’ve found your writings on puzzles and rationality ( as opposed to rational ism to be useful for strengthening my own powers of reasoning. This process hasn’t been easy, and is probably why I left the comment that I did on your post about “spiritual techniques”.

    I’ve recently been under the possession of a nihilistic despondency that’s led to all sorts of troubles in my mind, manifesting as a paranoia about technology ( the fruits of Apple, primarily ). I was walking through the rain the other day, trying to escape from my self driven pressure towards writing and entrepreneurship ( the latter not my strong suite, but a newly interesting and necessary goal for my artistic inclinations ) , and I found I couldn’t escape my turbulent , wrenching thoughts in the manner I was accustomed to, and couldn’t even enjoy the music I loved.

    I don’t know if it was something within me or an awakening from a source outside , like words from a teacher or book I’d forgotten, but I found myself lowering the volume of the music I was listening to, which was quite loud though melodic, till it was barely a whisper above the rain and car noises. Then I was listening to the street noise and the music, or was it their intermingling?

    This trivial, almost non-action ( a dragging of the thumb on some time robbing screen, borne from the infernal labor of a deceased mad hatter’s “historical necessities” in the teeming factories of Asia ) led to me actively listening to something that was intensely aesthetic, in an intensely quiet manner. I won’t presume to write that I “understand” the essence of the “not two” insight, but that’s not a matter for “the understanding” anyways, as I follow your writings on this book. And my anxiety about myself and Tantra is resolving itself in this way, since as you point out with Keegan’s models, a person who isn’t at that stage of development wouldn’t “see” the insight at that higher stage, so there’s not much to worry about anyways. That’s for people in a much different stage of life, I’ve enough to stay engaged with in the territory I’m in.

  13. David,

    Do you think that which Dzogchen is designed to alert us to, or “point out” might possibly be easy to catch a glimpse of but difficult to sustain as a home base? I think I’ve had a hundred thousand glimpses over a lifetime, but have rarely been able to hang out there for more than a short moment. Well, there was one day when I spent several hours in eternity, but that was long ago!

  14. Hi James—Yes, you describe the common experience of it.

    Trying to hang onto the experience doesn’t seem to work (as you’ve found). The consensus of teachers seems to be that a better alternative is to integrate echoes of the experience with everyday life.

    Supposedly that gradually transforms ordinary experience so that it becomes rigpa (the state which “pointing out” points out).

    I have just barely enough practice experience to find this plausible, but I’m far from having accomplished it!

  15. “Trying to hang onto the experience doesn’t seem to work (as you’ve found). The consensus of teachers seems to be that a better alternative it to try to integrate echoes of the experience with everyday life.”

    Nicely put! Echoes. Yes, indeed. I have several of these on a good day, sometimes without trying. Sometimes by deliberate accident — like throwing myself in front of the … not the train, …the flow. Each time I catch a glimpse it feels a little more familiar. And unfamiliar. But always welcome.

    About Ken McLeod, just a little internet searching will reveal that he has been accused of sexual impropriety with one or more students. It’s a shame, as he seems to be a good teacher. I can’t help wondering why this type of teacher/student situation crops up with such startling frequency. He could have denied it, or apologised, but he instead went silent according to the accounts. And then he ended all teaching, according to those accounts.

    As a general rule, I have no problem with consensual sexual expression whatsoever, but things get complicated when there is a teacher / student relationship. Sigh. I basically subscribe to the view that it is best not to “go there” with someone who is a student, a client in psychotherapy, and similar circumstances. Doing so can cause great confusion and even trauma.

  16. James, judging on past deeds – your own or others’ creates karma. I don’t mean threatening you, but I want to sensibilize. Each of us has in every moment the potential to do things differently as compared to where we come from. No idea why Ken and his students / temporary partners did what they did or with which intention. It lies in the past and it is none of your or my business (I would draw a line if they would have been underage or disabled or… or…)
    I don’t know Ken but regardless of who he is or what he did, Jigmé Lingpa’s text and his performance to translate it into English are very very valuable to me. And maybe could be to you if you are willing to cease clinging to your ego and to your dualistic illusory view of what is around you. This being said, of course I aspire, should I be a teacher, to have the capacity to easily restraining my desires to the degree not enmeshing with students beyond the student-relationship. It’s all samsara.

    David (unrelated to the “a trackless path” blog entry), it’s gotten silent about your website. I appreciate your blog and I am missing it. Also I dare to ask whether you still you intendedly do not teach and how come you have such a strong notion about not teaching? You teach already just by being. Only way to avoid that is by retreating to a very remote cave. Restraining yourself from your potential is also a dualistic perception.

    Lastly I wanted to ask how come dzogchen is a high form of Vajrayana but still some teachers teach Dzogchen only and do not establish samaya-bound guru-student relationships as known from the Tantra? There seem to be different apprehensions about the degree in which Dzogchen is attached or detached from Vajrayana and I am surprised about the degree of (liberty?) to vary. In the west, the introduction to dzogchen without effort-making, time-consuming preliminaries becomes the new standard.

  17. Thank you for your encouragement!

    In the past year, nearly all my time has been taken up with family responsibilities (I wrote about that here), so I have not had a chance to write much. I hope that changes eventually.

    When I do get time to write, I expect to prioritize Meaningness over Vividness… for a while, at least.

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